Grief in Parts: A House is a Home, 2026 (in progress)
Grief in Parts: Echo
Grief in Parts: Come Home
Grief in Parts: No Longer
Grief in Parts: Drowning
Grief in Parts: Please Don’t Go
Grief in Parts: The Rage
Grief In Parts: House of Flies
Biographical and Other Works, 2026
Storm Growth is an attempt to reconcile the artist’s volatile upbringing. The child (the artist) is a symbol of strength and growth against the background of wreckage. It was inspired by the artist losing her home at age 7 to a fire caused by negligence. 10×9
I’m here, 2026, a personal reflection inspired by moving to the homogenous Bible Belt and trying to maintain authentic roots.
Run While You Can, explores sibling abandonment.
What’s it like?, is a childhood reflection of peace and tranquility. The lush background and simple stitching reflect a simpler time in which one could play and enjoy life without today’s modern traumas. 10×12.5
A Good Life? asks the reader to reflect on their adolescent dreams. The veil intentionally lifts to reflect the artist’s alternate reality of support and peace through childhood.
Depression sampler asks the reader to plunge into the depths of despair. It can be messy and often with witness though sometimes beautiful and unexpected. 12×6
Ice water is a remembrance of lovers when deep in isolation. Inspired by the lyric, “becoming froze, trying hard to forget her”. The piece incorporates collage, painting and print techniques. 8.5×11
One day, 2026, utilizes multiple disciplines including machine stitching, quilting and fabric printing. The stained curtains reflect a deeply private and solitary experience while the girl, the artist, awaits her future.
Mommy! 2026
A youthful reflection on lime-rence.
Let I’m hungry serve as a reminder that food and all its glories are not a luxury or reward. The policing of women’s bodies mars generations and only exists to please the male gaze.
Something Out of Nothing is a reflection of the artists chaotic childhood. Through the mess and in spite of her home life, she was able to find and develop a playful disposition and still enjoy life’s small pleasures. 2026, 8.5×11
Other Works
Don’t Turn Around, 2026, inspired by the female experience and the will to leave.
Fabric of Liberty, 10×18 A non-gentle reminder that genocide, its acceptance and horrors, are woven into the fabric of American history.
Sleepy, 2026 is a visual representation of the privilege and dissonance required to grow up in modern America. It is about the detachment from war and violence regardless of proximity.
At the altar, 2026 depicts the drive for desire while balancing norms of female sexuality. The hands are those of religious and patriarchal values which attempt to smother our flame of eroticism.
Go get ’em!, 2026
Thoughts and prayers exhibits a non-gentle view of American apathy in the chaos of the modern age. 14×17
AdequateCompensation attempts to explore the justification of the environmental crisis by bad actors. Utilizing divergent imagery, it is a non gentle reminder that there is only one Mother Earth and we cannot enjoy her if we continue to allow the rich to exploit.
Cost of my desire, 18×24 is a non-gentle reminder that there is no sustainable future under capitalism. Capitalism requires us to live with infinite resources in a finite world.
